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<pubDate>Thu, 23 Apr 2026 22:43:50 EST</pubDate>
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<title><![CDATA[Has the world grown weary of art biennials? In search of an antidote, a Portuguese festival turns to anarchism #arts]]></title>
<link><![CDATA[http://www.crosshash.com/hash/main.asp?sc=Arts&r=http://feeds.guardian.co.uk/theguardian/culture/rss&c=Has+the+world+grown+weary+of+art+biennials%3F+In+search+of+an+antidote%2C+a+Portuguese+festival+turns+to+anarchism&n=Culture+%7C+Guardian&u=crosshash&cbid=crosshash]]></link>
<description><![CDATA[Art festivals can fill abandoned buildings with new life – or clear a path for property developers. Coimbra’s Anozero is trying out a more confrontational approachIf you decide to spend a night at Coimbra’s Monastery of Santa Clara-a-Nova in the near future, do bear in mind that the place is almost certainly haunted. Disembodied children’s voices echo around the first floor of the 17th century convent perched atop a hill in the Portuguese university city, overlooking the medieval centre from across the Mondego river.In the garages, dry foliage has been arranged in geometric shapes, as if in preparation for a wicca ritual. You need the nerves of a ghost-hunter to walk through the pitch-black ground-floor corridor of the dormitory wing, lit only by a neon strip at either end, where tortured wails ambush you from the monkish cells. Sung in Albanian, Chinese, Kurdish, Kyrgyz and Turkish, these laments are part of an installation by US artist Taryn Simon, but they feel like spectral reminders of the nuns who lived in these quarters for two centuries. Continue reading... || posted by @crosshash]]></description>
<author>crosshash</author>
<pubDate>Thu, 23 Apr 2026 05:00:00 GMT</pubDate>
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<title><![CDATA[Sex, drugs and going Maga: what does Netflix's Hulk Hogan series tell us? #arts]]></title>
<link><![CDATA[http://www.crosshash.com/hash/main.asp?sc=Arts&r=http://feeds.guardian.co.uk/theguardian/culture/rss&c=Sex%2C+drugs+and+going+Maga%3A+what+does+Netflix%27s+Hulk+Hogan+series+tell+us%3F&n=Culture+%7C+Guardian&u=crosshash&cbid=crosshash]]></link>
<description><![CDATA[The four-part docuseries Hulk Hogan: Real American shows the almighty rise and bleak fall of a one-time wrestling hero who became closer friends with Donald TrumpIt’s an interesting move that Netflix has taken recently, buying the rights to WWE programming while simultaneously commissioning documentaries about how fundamentally flawed its stars are. Nevertheless, after the success of its Vince McMahon series, it was only a matter of time before it made a series about wrestling’s biggest and most complicated star. And now it is here, in the form of Hulk Hogan: Real American.Few wrestlers have risen quite as high or fallen quite as low as Hogan, born Terry Bollea. For a considerable stretch of time, Hogan was the WWE; a bundle of imminently marketable tricks and quirks that gave him the nod over all the other grunting men in pants who made up the sport. Continue reading... || posted by @crosshash]]></description>
<author>crosshash</author>
<pubDate>Thu, 23 Apr 2026 09:00:06 GMT</pubDate>
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<title><![CDATA[Taraji P Henson: 'It's exhausting to have to fight for my worth' #arts]]></title>
<link><![CDATA[http://www.crosshash.com/hash/main.asp?sc=Arts&r=http://feeds.guardian.co.uk/theguardian/culture/rss&c=Taraji+P+Henson%3A+%27It%27s+exhausting+to+have+to+fight+for+my+worth%27&n=Culture+%7C+Guardian&u=crosshash&cbid=crosshash]]></link>
<description><![CDATA[The Oscar-nominee on Hollywood burnout, Black resilience and her Broadway debut in August Wilson’s Joe Turner’s Come and GoneOn a Wednesday evening in midtown New York, generations X through Z spill out of the Ethel Barrymore Theatre to cluster around the venue’s side stage door. They’re waiting for Taraji P Henson.“I feel like I’m Cardi B on tour,” Henson jokes. When we talk over a video call this April, the actor is one week out from the opening night of her Broadway debut in the revival of August Wilson’s Joe Turner’s Come and Gone. Throughout the show’s preview period, Henson has made an effort to make it out to street level after performances to shake hands, take pictures and sign playbills. “It’s good to see my fans like this, up close and personal,” she says. Continue reading... || posted by @crosshash]]></description>
<author>crosshash</author>
<pubDate>Thu, 23 Apr 2026 11:00:08 GMT</pubDate>
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<title><![CDATA[Noah Kahan: The Great Divide review | Alexis Petridis's album of the week #arts]]></title>
<link><![CDATA[http://www.crosshash.com/hash/main.asp?sc=Arts&r=http://feeds.guardian.co.uk/theguardian/culture/rss&c=Noah+Kahan%3A+The+Great+Divide+review+%7C+Alexis+Petridis%27s+album+of+the+week&n=Culture+%7C+Guardian&u=crosshash&cbid=crosshash]]></link>
<description><![CDATA[(Mercury)All but repeating the formula of his breakout album, Kahan seems torn between whether success is sustainable or even repeatable on songs defiantly rooted in small-town lifeLast week, Netflix released a feature-length documentary about Noah Kahan called Out of Body. Over its 90 minutes, we learn that the 29-year-old Stick Season singer-songwriter is a worrier – about his weight, his career, his parents – and prefers his home state of Vermont to his new home in Nashville. He is self-deprecating, likable and perhaps not someone you can make a 90-minute documentary about at this stage of their career without recourse to padding.That someone has tried says a lot about Kahan’s vertiginous rise over the last three years, a firm rebuttal to the idea that the privations of lockdown had changed the face of pop: that listeners were now after glitzy escapism rather than the dressed-down, earnest introspection of the post-Ed Sheeran troubadours this newspaper dubbed “the ordinary boys”. In fact, a new wave of dressed-down introspection was about to become a thing: Myles Smith is playing arenas, Alex Warren’s single Ordinary spent 13 weeks at No 1; Teddy Swims’ I’ve Tried Everything Except Therapy spent more than two years in the UK album chart. And the biggest thing of all is Kahan, who used to introduce himself on stage as “the Jewish Ed Sheeran”, has a thing for the stomp-clap rhythms of Mumford &amp; Sons and stirs a little heartland rock – Springsteen via Sam Fender – into his sound. He was catapulted to success by Stick Season in 2022: a sweet, sad shiver of autumnal wistfulness written from the perspective of someone left behind in their home town when their friends and ex-girlfriend head off to university. It sold 10m copies, the first of eight huge hits from an album of the same name. Continue reading... || posted by @crosshash]]></description>
<author>crosshash</author>
<pubDate>Thu, 23 Apr 2026 11:00:53 GMT</pubDate>
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